Thank you findebsoon. I'm always pleased to know that something I've done has helped someone else. This particular thread is one of my favorite ones so I'm glad to see it resurrected once more. I have a few other favorites too, and thought maybe I'd drag a piece in here as a better means of responding to the kindness of your words.
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The hero as world redeemer is a common theme in humankind’s myth-making. But the hero is not someone remote from us, only found in a book or up on the silver screen, Campbell would say. The hero is us.
In 1984 Eugene Kennedy, then professor of psychology at Loyola University Chicago, published an interview with Joseph Campbell in the New York Times Magazine, called “
Earthrise -- The Dawning of a New Spiritual Awareness.” There Campbell talks of the same passing from one age to another in our own world, of the peril that faces our world and of the hero’s task to which we are all called -- nurturing a new spiritual awareness.
Campbell later wrote Kennedy, telling him it was that interview that brought Joseph Campbell to the attention of Bill Moyers, whose televised interviews put Campbell into the nation’s living rooms. These interviews were watched by millions, and the book that accompanied them,
The Power of Myth, became a runaway best seller.
...
Although the word is commonly used to denote a falsehood, “myth” -- as Campbell taught us -- is as relevant to today as current headlines. A New Yorker, Campbell was fond of saying this: “The latest incarnation of Oedipus, the continued romance of Beauty and the Beast, stand this afternoon on the corner of Forty-second Street and Fifth Avenue, waiting for the light to change.” Campbell’s message was that these stories are about our common religious experience. They are not old museum pieces with little relevance. Myth is about our life today. Myths, he said, are the “masks of God.”
One of the most beloved teachers of our time, Campbell was a reliable guide through the mysteries of the ancient texts of Beowulf, the Tibetan Book of the Dead, the Egyptian mysteries, the Iliad and Odyssey, the Arthurian romances, the American Indian myths, stories from the Hindu, Buddhist and Christian religions, as well as modern myth makers like James Joyce, Thomas Mann, Pablo Picasso. These stories from world cultures are, he felt, “the secret opening through which the inexhaustible energies of the cosmos pour into human cultural manifestation.” He was convinced that religion boils up from the “basic, magic ring of myth.”
After being raised Catholic and attending Catholic schools, Campbell eventually formally rejected Catholicism. “All the meditations have to do with something that happened two thousand years ago somewhere else to somebody else,” he explained. “Unless those can be read as metaphorical of what ought to happen to me, that I ought to die and resurrect, die to my ego and resurrect to my divinity, it doesn’t work.”
...
Campbell’s comparative approach to mythology, religion and literature concentrated on similarities. He was convinced that there is a fundamental unity at the heart of nature. “Truth is one,” he said, “and the sages speak of it by many names.” The common themes and images in our sacred stories and images transcend the cultures from which they come. He believed that a reviewing of such primordial images and themes in mythology such as death and resurrection, virgin birth, the hero’s quest and the promised land -- the universal aspects of the soul, the blood memories -- could reveal our common psychological roots. “They could even show us, as seen from below,” Campbell wrote, “how the soul views itself.”
They can even heal and renew us, today and tomorrow.
...
In the interview with Kennedy, Campbell talks about the Stanley Kubrick film “2001: A Space Odyssey,” particularly the opening scenes that depict our ape-like ancestors millions of years ago, snarling and squabbling with each other, then cowering together in fear at night while predators lurk outside their cave. “Yet there is one among them,” Campbell points out, “who is slightly different, one who is drawn out of curiosity to approach and explore, one who has a sense of awe before the unknown. This one is apart and alone, seated in wonder before a panel of stone standing mysteriously upright in the landscape. He contemplates it, then he reaches out and touches it cautiously in the way the first astronaut’s foot approached and then gently touched down on the moon.
“Awe, you see, is what moves us forward,” said Campbell.
It’s the same awe that sends chills up and down our spines as we sit in rapt wonder watching the perilous travels of a little furry-footed hobbit. It’s the same awe that dwells at the heart of our religious experience.
“We live in the stars,” says Campbell, “and we are finally moved by awe to our greatest adventures. The kingdom of God is within us.”
Source: The Hero is Us
See also: Schizophrenia & The Hero's Journey
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